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We begin our musical journey with three early recordings of some of the most popular songs in the Rajasthani folk repertoire, as sung by three legendary Langa performers—Allaudin Khan, accompanied by Sumar Kan on the sindi sarangi and Noor Mohammad on the gujaratan sarangi.

Recorded in the studios of the National Centre for the Performing Arts in Mumbai in 1973, these songs are relatively short, not least because they were first produced on extended play records (45 RPM). While these recording conditions placed obvious restraints on improvisation and repetition, these versions of Kurjan, Gorbandh, and Hichki are very special, in so far as they recall a time when the singing of Langas had not been internalized. Indeed, the attentive listener will note that these songs are not accompanied by the dholak (drum), which was not used by the Langa singers until the early 1980s.

Gorbandh is pure joy, as it elaborates with onomatopoeic virtuosity on the braided loops and pendants, swaying and hanging from the camel’s decorative accoutrements. “Lara lumba re lumba, lumba re/Jhara jhara jhumba jhumba ji o re/Mharo gorbandh lumbalo”. This song proceeds with an ambling pave and occasional lurch of rhythm, evoking the movement of camels crossing the desert sands of Rajasthan. A feast for the eyes, as much as it is a pageant of sound.

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from Rajasthan: A Musical Journey, released July 8, 2013

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Rajrang by Rupayan Jodhpur, India

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